A black teenager could have a 200 IQ and find the cure for cancer and white people will still say affirmative action is the reason why they got into college
A white kid could have a 200 IQ and discover the cure for cancer and people will say his alumni daddy is the reason he got into college.
A white person will see a post having nothing to do with them and still find a way to include themselves
i like how the issue here is “my significant achievements and academic excellence are never truly considered valid because of my race” vs “my dad has too much money and power its embarrassing”
A man in the grocery store line today approached me and said, “Sir, when I first saw you I was extremely attracted to you, but then I noticed that you are a boy. How… I mean, why do you dress so provocatively?”
I responded, “Well, in today’s world the majority of the straight male race view women as objects, or something that belongs to them. I dress provocatively because it attracts the attention of men in a sexual and OBJECTIVE way. However, when realized that I am actually male, they often become confused, disgusted, upset or all of the above. By inflicting this minor emotional damaged upon the ego of a man raised by twisted societal gender norms, maybe, just maybe the individual will think twice before viewing another woman with an objective attitude and sense of belonging. No woman, belongs to ANYONE. Male or female, the equality of human beings needs to be a priority. It is something worth dressing up for.”
I AM NOT KIDDING. The woman behind me, the female cashier, the old lady bagging groceries and the woman in front of me who was talking on the phone STOPPED, …. and proceeded to gasp and clap. The man shook my hand, told me to have a blessed day and then said, “excuse me ladies, I need to visit my daughter.”
…. I was shaking by the time I walked out of the store.
- Elliott Alexzander
Marvleous. Absolutely marvelous.
faig ahmed’s Embroidered Art
When you think of traditional carpets from Azerbaijan, the thought of contemporary art does not quickly spring to mind… but these beautiful, and modern works will change that. Faiq Ahmed, a native of the Eurasian nation, has taken his countries old-school art form and brought it beautifully into the current era, deconstructing the ancient process of weaving and adapting it to todays contemporary art forms.
Arabian Little Red Riding Hood with a red hijab
A Japanese Snow White with her coveted pale skin and shiny black hair
Mexican Cinderella with colorful Mexican glass blown slippers
Greek Beauty and the Beast where Beast is a minotaur
Culture-bent fairy tales that keep key canonical characteristics
GIVE ME THESE I M M E D I A T E L Y
I AM SO TEMPTED TO DRAW THIS YOU HAVE NO IDEA
HERE THEY ARE, I TRIED! Used loads of reference pictures to make these and still probably got something wrong.
Little Red Hijab with a basket of naan and milk and dates to take to Jiddah.
Shirayuki, with lips as red as blood and skin as white as snow, who was tempted by a perfect pink peach.
The mice made Cinderella a beautiful dancing dress and then she went to the ball and danced the jarabe with the prince.
Beauty was sold to a terrible Minotaur and kept in a maze with only a magic mirror to keep her company, but everyone loves a good Greek tragedy.
Of course they know.
Let’s also focus less on how Emma Watson’s taking parts in problematic films, which she seems to be doing largely because her managers tell her it’s the only way to make it past Harry Potter, and more on how James Franco, Seth Rogan, Jonah Hill Jay whatsisface, and Cahnning Tatum made uncomfortable sex jokes and rape jokes around her until she was so uncomfortable she left halfway through filming This is the End- but by contract had to still be in the movie.
Let’s talk about how Evangeline Lilly signed onto the Hobbit movies on the condition that her character not be in a love triangle, and everyone involved rewrote the character so that she was, and she couldn’t leave. Let’s talk about how actresses are signed into films whose final products are the opposite of what they want to be a part of, and still wind up on-screen playing terrible, problematic, sexist roles, or even being sexually harassed and assaulted while on set. Let’s talk about the implications of an industry where women have no control over the part they play or the story they’re used to tell, and are forced to make difficult decisions about which producers and directors will and won’t completely screw them over.
After spending years developing a simple machine to make inexpensive sanitary pads, Arunachalam Muruganantham has become the unlikely leader of a menstrual health revolution in rural India. Over sixteen years, Muruganantham’s machine has spread to 1,300 villages in 23 states and since most of his clients are NGOs and women’s self-help groups who produce and sell the pads directly in a “by the women, for the women, and to the women” model, the average machine also provides employment for ten women.
Muruganantham’s interest in menstrual health began in 1998 when, as a young, newly married man, he saw his wife, Shanthi, hiding the rags she used as menstrual cloths. Like most men in his village, he had no idea about the reality of menstruation and was horrified that cloths that “I would not even use… to clean my scooter” were his wife’s solution to menstrual sanitation. When he asked why she didn’t buy sanitary pads, she told him that the expense would prevent her from buying staples like milk for the family.
Muruganantham, who left school at age 14 to start working, decided to try making his own sanitary pads for less but the testing of his first prototype ran into a snag almost immediately: Muruganantham had no idea that periods were monthly. “I can’t wait a month for each feedback, it’ll take two decades!” he said, and sought volunteers among the women in his community. He discovered that less than 10% of the women in his area used sanitary pads, instead using rags, sawdust, leaves, or ash. Even if they did use cloths, they were too embarrassed to dry them in the sun, meaning that they never got disinfected — contributing to the approximately 70% of all reproductive diseases in India that are caused by poor menstrual hygiene.
Finding volunteers was nearly impossible: women were embarrassed, or afraid of myths about sanitary pads that say that women who use them will go blind or never marry. Muruganantham came up with an ingenious solution: “I became the man who wore a sanitary pad,” he says. He made an artificial uterus, filled it with goat’s blood, and wore it throughout the day. But his determination had severe consequences: his village concluded he was a pervert with a sexual disease, his mother left his household in shame and his wife left him. As he remarks in the documentary “Menstrual Man” about his experience, “So you see God’s sense of humour. I’d started the research for my wife and after 18 months she left me!”
After years of research, Muruganantham perfected his machine and now works with NGOs and women’s self-help groups to distribute it. Women can use it to make sanitary napkins for themselves, but he encourages them to make pads to sell as well to provide employment for women in poor communities. And, since 23% of girls drop out of school once they start menstruating, he also works with schools, teaching girls to make their own pads: “Why wait till they are women? Why not empower girls?”
As communities accepted his machine, opinions of his “crazy” behavior changed. Five and a half years after she left, Shanthi contacted him, and they are now living together again. She says it was hard living with the ostracization that came from his project, but now, she helps spread the word about sanitary napkins to other women. “Initially I used to be very shy when talking to people about it, but after all this time, people have started to open up. Now they come and talk to me, they ask questions and they also get sanitary napkins to try them.”
In 2009, Muruganantham was honored with a national Innovation Award in 2009 by then President of India, Pratibha Patil, beating out nearly 1,000 other entries. Now, he’s looking at expanding to other countries and believes that 106 countries could benefit from his invention.
Muruganantham is proud to have made such a difference: “from childhood I know no human being died because of poverty — everything happens because of ignorance… I have accumulated no money but I accumulate a lot of happiness.” His proudest moment? A year after he installed one of the machines in a village so poor that, for generations, no one had earned enough for their children to attend school. Then he received a call from one of the women selling sanitary pads who told him that, thanks to the income, her daughter was now able to go to school.
To read more about Muruganantham’s story, the BBC featured a recent profile on him at http://bbc.in/1i8tebG or watch his TED talk at http://bit.ly/1n594l6. You can also view his company’s website at http://newinventions.in/
To learn more about the 2013 documentary Menstrual Man about Muruganantham, visit http://www.menstrualman.com/
For resources to help girls prepare for and understand their periods - including several first period kits - visit our post on: “That Time of the Month: Teaching Your Mighty Girl about Her Menstrual Cycle” at www.amightygirl.com/blog?p=3281
To help your tween understand the changes she’s experiencing both physically and emotionally during puberty, check out the books recommended in our post on “Talking with Tweens and Teens About Their Bodies” at http://www.amightygirl.com/blog?p=2229
And, if you’re looking for ways to encourage your children to become the next engineering and technology innovators, visit A Mighty Girl’s STEM toy section athttp://www.amightygirl.com/toys/toys-games/science-math
Awesome, dude. Awesome. I mean, AWESOME.
WHAT AN EPIC BADASS!
This man is awesome!
This is one of the best things I have ever read!!
tattoo artist who can encode magic into tattoos but doesn’t want people to know she can so she just puts low-level luck spells on her clients’ bodies without telling them
jeweller who makes body jewellery and pendants which have amulet properties and draw love and luck and happiness to their wearers without them realising it
piercing artist who keeps the remnants from her piercings and puts them all in little jars in the back of her shop to work sympathetic luck spells on all her clients
and then all three of them slowly realise what the others are doing and end up in a poly relationship living in a little shop in the shitty end of town, which gets curiously less shitty the longer they stay, and people think it’s just the development of the area but the three artists know
and they’re never rich and they’re never famous but they’re always happy because they have everything they need
they have the shop and they have their customers and they have each other
and when their customers are happy and content, they pack up and move on, all together now, to find another space with skin to be coloured and jewellery to be made and magic to be done.
this is beautiful